Statement

Statement*
June 17, 2013

When we talk about art, one of the first questions that you at that moment occurred to me, is the essential question.What is art? Old question is that, as human civilization.I nobody on it today it is impossible to give a precise answer.It involved : Aesthetics, Art History, Art critics and Philosophy.Established are certain standards, in that attempt to integrate art forms Fine work.But problem is, what art is constantly changing, and therefore not included in the previously outlined schemes .. Later it often turns out that what they rejected as artistic scrap yesterday, in fact, is the real art today.A especially tomorrow.Because new tendencies and developments in visual culture, and establishing new artistic standard.Because that the answer to the question relative and dilutes. and as such can not be uniquely determined. ** And perhaps the question is not set to true method.Him to concretize the following sentence.What for certain artists art? And just when you think with relief that we have finally come up with appropriate questions, we realize that as such, it creates new complications and complicated answers.
After the emergence of Pablo Picasso (Pablo Picasso), the art world has become almost the rule, the artist expressed through multiple styles and media.Of course if you have something to say.
For me, art is pure painting Prole; symbiosis figuration and abstraction – Figustract. Ontological dualism representative and ontological unity of representing images http://www.artefetic.co.ba.If we agree that knowledge of figurative product experience.And something already seen, de ja vu.Then we can conclude that the definition of figuration (in this case) may change, in the sense that we consider a particular configuration of colors, for a new kind of figurative visions reality.n particular 4-color camouflage uniforms: green, brown, black and olive, as such set its color known throughout the world.In they code for camouflage uniforms.Because thay can be held constant and reality***..Than is an abstraction, such as a relative, and thus a subjective category, but the expression in the definition of the objective.Also, the flat shapes of color. Whilst the free determination of the size of blade shape and the relationship between them, seeing relatively space. In case you think that the figuration as a constant objective****, and its expression subjective*****.Then the abstraction, such as a relative******, and thus a subjective category, but the expression in the definition of objective .*******. And knowing the truth to our reality consists of a subjective impression of life and the existence of objective reality********.Then you can simply accept the knowledge that the cycle of paintings camouflage uniforms or Military Art are a symbiosis of figuration and abstraction. Art is also: geometrical, perfect and complete picture of the new form, that is Concrete art ********* .Image with which there is no doubt that it’s over, because its structure is absolute categories, so doing has been said, there is nothing no additional or deducted.While color is clearly defined and completely defined by the value of the complete cycle of the works.Such image is ideal, as we are in life strive.But it never reaches it, the ultimate goal of aesthetic pleasure.

Why are strips of blue and red and white background  in Concrete art? Blue manifest his coolness and firmness of the glacier. It symbolizes stateliness and pride rugged mountains and eternal power of the primordial.Red is like a volcano eruption and radiates life, the fire that emanates heat and energy foundation of the world.Placed together are contrary to the existence and constitute the dynamics of the surface picture. Some sculptors as shamans paint their sculpture.That help them breathe more life so that way they come close to reality.White is a documentary  work, as well as the tranquility of peace and security.

During the history of the development of modern art, the subject is out of the picture came to the surface in the form of relief. To time and completely separated from the image and turned into sculpture**********.I closed circle evolutionary process, so I returned to the subject in picture.But now enriched evolutionary level of development objects, in the form of reliefs and sculptures. ***********This act is a form of picture received plus ultra of meaning, and turned into a unity of abstraction and figuration.Consequences of my actions are enormous.Put the item on the further course of the independence of objects from images and connecting the head and tail, closed full circle evolution of the same.

Why unity figuration and abstraction in painting? For something like that there are aesthetic and sociological reasons.Here we mentioned sociological, and on aesthetic grounds later.This is the era of universal value.In which is not uncommon for a person working in more occupations.Or buys tools for multiple use.Televizion who are at the same time and computers.Mobilne phones, besides voice and perform the function: clock, camera, video camera , navigator games and the like.Means that we live in a time of rationality and ekonomy.On such a situation in the society can not be art indifferent.Comunity must respond in this way, they will adopt the existing scale value.Which will inkomporate in their sections action.In interest of the community, as well as the broader social environment immediate reality.

Aesthetic reason-After the advent of abstraction in painting, starts and attempts by artists to unite figuration and abstraction, in a one visual form.

Striving for it is understandable, and can be interpreted in several ways: 1.Kao challenge that is put in front of the artist, to solve a problem that is very complex and at first glance hardly solvable,2.Justifiably desire to become interesting to all fans arts.Advocates one hand, and the other options mentioned expression in painting.3.Intent that in the ontological sense unite duality (figurative) and unity (abstraction), as well as two completely opposite way of conceiving images.4.Feeling a visual artist to marginalization artificial increasingly prominent in contemporary time.And to its ephemeral quality gives way to the following media who filled the space on the social scene.Such as are: film, television, internet.itd.Regularly in an attempt to make the unity of abstraction and figuration wrong.Because the aforementioned realization impossible. Because they’re always trying to unity ‘form’ figuration  and apstraction.Each and attempts to make more and others with less success.. And that’s all. Creation is based only on the attempt, and the fact remains.Why artists make mistakes in their efforts to create the above mentioned parts? They miss doing that, because they deal with futile job.Which to me seems like an attempt alchemist, to make iron gold.Impossible are united is a form of abstraction with figuration form. Because they cancel each other.Unless the problem is approached from the other side, careful and deliberate choice of motifs************or creating new*************, which contains the ability to create and express figuration and abstraction simultaneously.

What is the reality of the illusion of reality?We live in a modern age where print media with carrier or Media: books, magazines and publications.As electronic media, without the holder or Media: Film, TV, Internet, constitute the fundamental basis of human communication.Without them, our world view was impracticable.At least in the manner we are accustomed to now that it is.In such a state of things; visually outweigh tactile.For us it is a scene of street battles between soldiers of the Civil War in the Syria the like so real. As it almost immediately experience.Truth does not feel the smell of gunpowder and the direct proximity death.But is still really, because behind us lived experience receive information about .

Through the internet and based on photographs images, I you imparting information about the illusion of relief.Certainly the illusion of relief is not reality itself.But the visual equivalent of an illusion ating reality.Just as the images of street fighting, the visual equivalent to document the war in Syria.You’ll say, “But the war is going on in Syria,” I’ll answer that relief occurs.The basic elements that should satisfy the condition illusion of reality, there is almost no difference.

Even if I told you that behind every picture Concrete art is the same one that relief.Based on that I made ​​the picture.The illusion of relief in the picture and his figuration, would be that way and amplifiers in your consciousness.And there is no relief, except the first one of Donald Judd Untitled 1969, based on which I made an image Expansion success.From that he started the whole cycle of Concrete art.. With this prototype is created reality, which is repeated again and again in picture.I in our perception of life.

Given that art has no practical value.And in the past hundred years, the strategy of reducing, led themselves in the ontological sense on the edge of their own exsistence.Because of that it must reassess its role in society.That it maintain credibility in relation to surroundings.On this way it will become a useful community where operates.Propose action plans for awakening social consciousness and its engagement alternately flows of civilization, through conceptual design Bosniak letter.The theoretical basis for the project is located in the articles blogs project.

In addition, art is a continuation of the value chain through influence the following works.As Art continuty.Where the picture that someone made yesterday, reflects the image that was created today and the future tomorrow.Because if we accept the argument that art progresses, then the last creation in this series, the culmination of aesthetic endeavor.

ekrem fetic

continued …

*What is the role of words in contemporary art,can best be seen from the following examples.Approximately terms, 50% of my work is the image, and 50% Statement.Actually Statement is of paramount importance, and as such it is an inseparable part of a whole work.If you do not read it, you will not know what is in essence part of Concrete art.It is in the spirit of the art of our time, where words constitute a substantial part of the overall artistic activities author.More on this topic, see the article by Harold Rosenberg – Art and words.225 pages.Plastically sign – a collection of articles on the theory of visual art (second edition).By: Nenad Mišević Milan Zinaić. Publishing Centre Rijeka.Rijeka 1982 years.Offprint magazine Dometi.

** It does not mean that the court about what is and what is not art devaluing and cease to be by any measure of value works.Than just talking, that arbitration about it tailored to a particular course of life, and the spirit of the times in which the live.Where First lets part, that it exists as a factual facts in a defined area of ??cultural relevance.What would say in the context.That would then valued it as such in terms of the specific facts of cultural artifacts irrefutable reality.

*** every color that correlate with different color covers certain surfaces of space recognizable and seen determinations may be considered figuration.

**** objective, because it is mentioned in a distinctive set of colors for many people in the world.

***** is subjective illuminance and color their correlation.after the emergence of Impressionism.Every expression in figuration should in principle be subjective.

****** relative because the definition of shapes and sizes, as well as their ratio depends on the subjective evaluation of artists.

******* in the definition of an objective, because it is considered an abstraction creation reality.For Unlike figuration which is thought to be normally mapping of reality.

********categories given in the text are specific to this situation.

********* We have photo images of imaginary vision of abstract forms in three dimensions.Photo the document picture.While the image empty space where the painted illusion sculpture 1.*Reality cleanroom is enhanced so that the background shape in white. What makes it somewhat neutral in relation to compozition.And the picture in this way document form .. Which is again projection ideas on a given surface picture.S Since forma reflection ideas, which is created in my awareness.It as such can not be considered part of the experiential reality, making us daily surrounds.Than we will be able to say, that is a form of reflection of fiction in reality.Means abstraction as a document ideas.And again watching from the other side, the form of the composition is a mirror reality.Because which is made up of elements that create the illusion of objects from everyday life.At the rails are painted in three dimensions.These strips are placed in such a relationship, so that every move from the resulting assembly, any part of the whole, disrupted form.Because of complete construction of the ideal image, in the full sense of the words.Knowing that strips constitute the illusion of reality, and design forms an illusion of sculptures and reliefs,2* as emerges from the background, it can be considered that the image figurative.A counting that we have already concluded that it abstraction.Then safely We can say, that around here for the unity of abstraction and figuration.

********* *  Book: Form and time of Miodrag B. Protić.Edit: Nolit Belgrade 1979. Page 160                                                                    ” The subject becomes the focus of intersections and different processes.He first dropped gradually, in order to image the equalizer with pure visual Datamate and allocated by reference to something beyond themselves, and vice versa it is not just the old (trompe-l’oeil) than in the new art (hyperrealism, pop art) often articulated quashed the fine structure that would preserve the integrity of its features many.Or down from the flat surface and develop into three dimensional  space caused, as we have already pointed out, change the generic scourge image, its transformation into relief and sculpture, two-dimensional illusion of three-dimensional reality: images in the building .. ”

*********** images http://fineartamerica.com/featured/concentration-of-the-power-ekrem-fetic.html concentration of power and concentration of power – alternation http://fineartamerica.com/featured / concetration-of-the-power-alternation-ekrem-fetic.html or two reliefs in the picture, showing each a 50% chance of one form (front and rear). So they along one aspect of the sculpture shown in the picture.

***********Military art

************as in the Concrete art.

(This is not finished and is in phase changes.)

—————

1.*Inspiration for the first image from the series of Concrete Art: Expansion of success (http://fineartamerica.com/featured/expansion-of-success-ekrem-fetic.html) is a sculpture by Donald Judd – Utitled 1969 (http:// fineartamerica.com / featured / donald-judd-ekrem-fetic.html)

Sculpture in the picture, in accordance with the opinion of Marshall Meklaun that each medium has another medium, one that precedes it: a novel in film, television, in film, television, the internet .Truth here we have a different situation.Not one media covered other than genera other.In one in the same medium of fine art .

2*The tract on painting Leonardo da Vinci said, “Painting has five parts: area, shape, color, light and shadow.And to talk about it means to talk about shadows and the ‘relief’ as its core and soul.”

Remark:
There may be some mistakes in the translation from Bosnian to English language.Soon better translation.

Statement (Izvještaj)*

Kada se govori o umjetnosti,jedno od prvih pitanja koja vam u tom trenutku padaju na pamet, jeste ono esencialno pitanje.Šta je umjetnost?Staro je to pitanje,koliko i ljudska civilizacija.I niko na njega danas nemože dati precizan odgovor.Njime se bave :Estetika,Historija umjetnosti,Likovna kritika i Filozofija.Uspostavili su određene standarde, u koje pokušavaju  da uklope umjetničke forme likovnih dijela.Ali je problem u tome ,što se umjetnost stalno mijenja,pa zato ne ulazi u prethodno zacrtane šeme..Kasnije se često ispostavi ,da ono što su odbacili kao umjetnički škart jučer,ustvari jeste prava umjetnost danas.A pogotovu sutra.Jer nove tendecije i pojave u likovnoj kulturi, uspostavljaju i nove umjetničke standarde.Zbog toga se odgovor na postavljeno pitanje relativizira i razvodnjava.Pa se kao takav nemože jednoznaćno odredit.**A možda pitanje i nije postavljeno na pravi naćin.Njega treba konkretizirat sa sljedećom rećenicom.Šta je za određenog umjetnika umjetnost?I baš kada sa olakšanjem pomislite da smo konačno došli do odgovarajućeg pitanja, mi shvatamo da ono kao takvo stvara nove komplikacije i usložnjava odgovore.
Nakon pojave Pabla Pikasa (Pablo Picasso),u svijetu umjetnosti postalo je gotovo pravilom,da se umjetnik izražava kroz više stilova i medija.Naravno ako ima šta da kaže.
Za mene je umjetnost ćisto slikarski prolem;simbioza figuracije i apstrakcije – Figustract. Ontološka dvojnost  Reprezentativne  i ontološko jedinstvo Prezentativne slike http://www.artefetic.co.ba.  Ako se složimo da je saznanje o figurativnom produkt iskustva .I nećeg već viđenog,de žavu.Onda moramo zakljućit da se definicija figuracije( u ovom slučaju) može izmjenit,u smislu toga da smatramo određenu konfiguraciju  boja ,za novi vid figurativnog viđenja stvarnosti***.Konkretno 4 boje maskirne uniforme :zelena,smeđa,crna i maslina su, kao takav skup kolora poznate u cijelom svjetu.I one su kod za maskirnu uniformu.Zbog toga se mogu smatrat konstantom i stvarnošću .Takođe i plošni oblici boja .Dok je slobodno određenje velićine plošnih oblika i međusobni odnos između njih,relativno viđenje prostora .U slučaju da smatramo da je figuracija kao konstanta objektivna**** ,a njen izraz subjektivan*****.Tada je apstrakcija,kao takva  relativna****** i samim time subjektivna kategorija,ali je izraz u definiciji objektivan.*******.A znajući istinu  da se naša stvarnost sastoji od subjektivnog utiska života i objektivnog postojanja stvarnosti********.Onda jednostavno možemo prihvatit saznanje,da u ciklusu slika Maskirna uniforma ili Military art nalazimo simbiozu figuracije i apstrakcije.Umjetnost je takođe: geometriziriana ,savršena i potpuna slika nove forme, tj. Konkretna umjetnost.Concrete art.*********Slika sa kojom nema dileme da li je gotova,jer je njena konstrukcija apsolutna kategorija,pa radi rećenog, njoj se ništa nema dodat ni oduzet.Dok je boja nedvosmisleno određena i u cijelosti definisana vrijednost kompletnog ciklusa radova.Takva slika je ideal, kojem inaće u životu stremimo.Ali ga nikada ne dosežemo, kao krajnji cilj estetskog užitka.

Zašto su letve plave i crvene ,a pozadina bijela u Konkretnoj umjetnosti?Plavo oćituje hladnoću i čvrstinu glečera .Ono simbolizuje otmenost i gordost vrletnih planina i vječnu snagu praiskona.Crveno je kao vulkan i zraći erupciju života,vatru koja isijava energiju i vrelinu postanka svijeta.Postavljeni zajedno znaće egzistenciju suprotnosti i ćine dinamiku na površini slike.Uostalom neki kipari kao šamani boje svoje skulpture.Da bi im udahnuli više života pa na taj naćin ih primakli stvarnosti.Bijelo predstavlja dokumentarnost dijela,kao i mir spokoj i sigurnost.

Tokom historije razvoja suvremene likovne umjetnosti,predmet je iz slike izišao na površinu u formi reljefa.Da bi se vremenom i potpuno odvojio od slike i pretvorio u skulpturu**********Ja sam zatvorio krug evolutivnog procesa,tako što sam vratio predmet u sliku.Ali sada obogaćen  evolutivnim stepenom razvitka predmeta,u formu reljefa i skulpture.*********** Tim ćinom je forma u slici dobila ultra plus znaćenje,i pretvorila se u jedinstvo apstrakcije i figuracije.Posljedice mog poteza su ogromne.Stavljena je tačka na dalji tok osamostaljenja predmeta od slike, a spajanjem glave i repa,zatvoren je puni krug evolutivnog razvoja istog.

Zašto jedinstvo figuracije i apstrakcije u slici? Za tako nešto postoje estetski i sociološki razlozi.Ovdije ćemo spomenut sociološke ,a o estetskim razlozima nešto kasnije.

Ovo je doba univerzalnih vrijednosti.U kojem nije rijetkost da jedna osoba radi u više zanimanja.Ili kupuje alate za višestruku upotrebu.Televizore koji su u isto vrijeme i raćunari.Mobilne telefone ,što pored govorne vrše i funkciju:sata,fotoaparata,video kamere,navigatora igrica i slićno.Znaći da živimo u vremenu racionalnosti i ekonomićnosti.Na takvu situaciju u društvu umjetnost nemože biti ravnodušna.Ona mora da reagira na taj naćin ,što će usvojit postojeća mijerila vrijednosti.Koje će inkomponirat u svoja podrućija dijelovanja.U interesu zajednice ,kao šireg društvenog ambijenta neposredne stvarnosti.

Estetski razlozi-Nakon pojave apstrakcije u slikarstvu,poćinju i pokušaji od strane umjetnika da ujedine figuraciju i apstrakciju,u jednu vizuelnu formu.Težnja ka tome je razumljiva,i može se protumaćit na više naćina :1.Kao izazov što se stavlja pred umjetnika,da riješi problem koji je vrlo složen i već na prvi pogled teško riješiv,2.Opravdana želja da se postane zanimljiv  svim ljubiteljima umjetnosti.Zagovornicima jedne ,kao i druge opcije spomenutih izraza u slikarstvu.3.Namjera da se u ontološkom smislu objedini dvojnost (figuracije) i jedinstvo (apstrakcije),kao dva potpuno suprotna naćina koncipiranja slike.4.Osiječaj umjetnika  da marginalizacija likovne umjetno sve više dolazi do izražaja u suvremenom dobu.I da njena efemernost uzmiće pred medijma koji su ispunili prostor na društvenoj sceni.Kao šro su :film,televizija,internet.itd.

Redovito se u pokušajima da se napravi jedinstvo apstrakcije i figuracije griješi.Zato što je pomenuta realizacija nemoguća misija. Jer oni uvijek nastoje da sijedine ‘formu’figuracije i apstrakcije.Jedni te pokušaje prave sa više ,a drugi sa manje uspijeha.I to je sve .Kreacija se zasniva samo na pokušaju, pa na tome ostaje.Zašto umjetnici griješe u svojim naporima da stvore pomenuto dijelo?Oni promašuju radi toga jer se bave jalovim poslom..Koji meni izgleda kao pokušaj alhemićara, da od željeza napravi zlato.Nemoguće je sijedinit formu apstrakcije sa formom figuracije .Zato što one jedna drugu poništavaju.

Osim ako se problemu priđe sa druge strane,pažljivim i promišljenim izborom motiva************ ili stvaranjem novog,*************koji u sebi sadrži mogućnost kreiranja i iskazivanja figuracije i apstrakcije istovremeno.

Kolika je stvarnost iluzije stvarnosti?Živimo u savremenom dobu,gdije štampani mediji ili mediji sa nosiocem:knjige,časopisi i publikacije .Kao i  elektronski mediji ,ili mediji bez nosioca:film,televizija,internet,ćine temeljnu osnovu komunikacije ljudi.Bez njih bi naše poimanje svijeta bilo neizvodljivo.Barem na naćin kako smo to do sada navikli da ono bude.Pri takvom stanju stvari;vizuelno ima prevagu nad taktilnim.Za nas je neki prizor,ulićne borbe između vojnika građanskog rata u Sriji slićno tako stvaran .Kao da ga skoro neposredno doživljavamo.Istina ne osijetimo miris baruta i direktnu blizinu smrti.Ali je ipak stvarno,jer iza nas je proživljeno iskutvo primanja informacija o tome.

Putem interneta a na temelju fotografija slika,ja vama prenosim informaciju o iluziji reljefa.Svakako ta iluzija reljefa nije stvarnost sama po sebi. Nego je vizualni ekvivalent za privid rećene stvarnosti.Baš kao što je fotografija ulićne borbe ,vizuelni ekvivalent za dokument rata u Siriji.Vi ćete kazat:”Ali rat u Siriji se događa”Ja ću odgovorit da se i reljef događa.U osnovnim elementima koji treba da zadovolje uslov iluzije stvarnosti ,skoro da i nema razlike.

Još ako bih ja vama rekao ,da se iza svake slike Konkretne umjetnosti nalazi po jedan isti takav reljef.Na temelju kojeg sam ja stvorio sliku.Iluzija reljefa na slici i njegova figurativnost ,bi se na taj naćin i pojaćala u vašoj svijesti.A nema reljefa, izuzev onog prvog od Donalda Đada ( Donald Judd ) Untitled 1969, koji je bijo inspiracija da se  napravi slika Ekspanzija uspijeha.Od nje je i krenuo cijeli ciklus slika Konkretne umjetnosti.Sa time je kreiran prototip stvarnosti,koja se stalno iznova ponavlja na slici.I u našoj percepciji života.

S obzirom da umjetnost nema praktične vrijednosti.A u proteklih stotinu godina strategijom svođenja ,dovela je sebe u ontološkom smislu na sam rub vlastite egzistencije.Zbog toga ona mora preispitat svoju ulogu u društvu.Da bi zadržala kredibilitet u odnosu na okruženje.Na taj naćin što će postat korisna zajednici u kojoj dijeluje.Predlagat planove akcije za buđenje društvene svijesti i svojom angažovanošću mijenjat tokove civilizacije, kroz konceptualni projekat Bošnjačko pismo.Teorijska osnova za projekat se nalazi u tekstovima blogova projekta.

Pored toga umjetnost je i nastavak u lancu vrijednosti kroz utijecaj na sljedeća dijela.Kao Umjetnost kontinuiteta.Gdije se slika koju je neko napravio jućer,reflektuje na  sliku što je stvorena danas i buduću sutra.Jer ako prihvatimo tezu da umjetnost napreduje,onda je posljednja kreacija u tom nizu,vrhunac estetskog pregnuća.

ekrem fetic

nastavlja se…

*Kolika je uloga rijeći u suvremenoj umjetnosti,najbolje se vidi iz sljedećeg primjera.Otprilike rećeno,50% moga dijela je slika,a 50% Statement.Ustvari Statement je od iznimne važnosti, i on je kao takav nedijeljiv dio cijeline rada.Ako ga ne proćitate,nećete znati šta je suština dijela u Konkretnoj umjetnosti.To je u duhu umjetnosti sadašnjeg vremena,gdije rijeći ćine znatan dio ukupne umjetničke aktivnosti autora.Više o toj temi vidi u tekstu Harold Rosenberg – Umjetnost i rijeći.225 strana.Plastički znak – zbornik tekstova iz teorije vizualnih umjetnosti (drugo izdanje).Priredili :Nenad Mišević i Milan Zinaić. Izdavački centar Rijeka.Rijeka 1982 godine.Separat časopisa Dometi.

**to naravno ne znaći, da se sud o onome šta jeste i šta nije umjetnost obezvrijeđuje i prestaje biti ikakvim mijerilom vrijednosti dijela.Nego samo govori, da je arbitiranje o njemu prilagođeno određenom toku trajnosti, i duhu vremena u kojem se živi.Gdije se prvo dozvoljava dijelu, da ono egzistira kao faktička činjenica u definisanom prostoru kulturne relevantnosti.Što bi se  reklo u kontekstu.Da bi se onda ono kao takvo varolizovalo u smislu konkretne činjenice kulturnog artefakta nepobitne stvarnosti.

***svaka boja koja u korelaciji sa drugom bojom zauzima određenu poršinu prostora prepoznatljivog i viđenog određenja,može se smatrat figuracijom.

****objektivna,zato što je pomenuti skup boja prepoznatljiv kod za mnoge ljude u svijetu.

*****subjektivan je intenzit boja i njihova korelacija.Nakon pojave imresionizma.Svaki izraz u figuraciji bi u principu trebao biti subjektivan.

******relativna zbog toga jer je određenje oblika  i velićina,kao i njihov međusobni odnos zavisan od subjektivne procijene umjetnika.

*******u definiciji objektivan ,zato što se apstrakcija smatra kreacijom stvarnosti.Za razliku od figuracije za koju se misli da je obićno preslikavamje stvarnosti.

********kategorije u datom tekstu su određene za ovu situaciju.

*********Imamo fotografiju slike, na kojoj se nalazi vizija zamišljene apstraktne forme u tri dimenzije.Fotografija je dokument o slici.Dok je slika prazan prostor na kojem je naslikana iluzija skulpture 1.*Realnost ćistog prostora je pojaćana tako da je pozadina forme u bijelom.Što je ćini donekle neutralnom u odnosu na kompoziciju.Pa je slika na taj naćin dokument forme..Koja je opet projekcija ideje na određenoj površini slike.S obzirom da je forma refleksija ideje,koja se stvorila u mojoj svijesti.Ona kao takva nemože biti smatrana dijelom iskustvene stvarnosti,što nas svakodnevno okružuje.Nego smo u prilici reći ,da je forma odraz fikcije u stvarnosti.Znaći apstrakcija kao dokument ideje.A opet gledajući sa druge strane ,forma kompozicije dijela jeste ogledalo stvarnosti.Zato što je napravljena od elemenata koji stvaraju iluziju predmeta iz svakodnevnog života.A to su letve slikane u tri dimenzije.Te letve su postavljene u takav međusobni odnos ,da bi svako pomijeranje iz stvorenog sklopa ,bilo kojeg dijela cijeline,poremetilo kompletnu konstrukciju forme.Zbog toga je slika idealna,u punom smislu te rijeći.Znajući da letve ćine iluziju stvarnosti,a konstrukcija forme privid skulpture,odnosno reljefa 2*,jer izrasta iz pozadine, onda možemo smatrat da je slika figurativna.A računajući da smo već ranije zakljućili da je ona   apstrakcija.Onda mirne duše možemo kazat, da se ovdije radi o jedinstvu apstrakcije i figuracije .

**********knjiga:Oblik i vreme od Miodrag B. Protić.Izdanje Nolit Beograd 1979 godine .Strana 160.”Predmet postaje raskrsnica i fokus razlićitih procesa.On je prvo postepeno izostavljen,da bi se slika izjednaćila sa čistim likovnim datama i izdvojila od aluzija na nešto izvan nje same;i obrnuto on je  ne samo u staroj (trompe -l’oeil) nego i u novoj umjetnosti (hiperrealizam,pop art) često ukidao artikulisanu likovnu strukturu da bi očuvao svoj absolutni integritet.Ili je silaženjem sa ravne površine  i razvijanjem u trodimenozionalnom prostoru prouzrokovao ,kao što smo već istakli,promjenu generičkog biča slike,njen preobražaj u reljef i vajarstvo ,dvodimenzionalne iluzije u trodimenzionalnu stvarnost:slike u objekat..”

***********slike Koncentracija snage  http://fineartamerica.com/featured/concentration-of-the-power-ekrem-fetic.html    i Koncentracija snage – alternacija  http://fineartamerica.com/featured/concetration-of-the-power-alternation-ekrem-fetic.html ,ili dva reljefa na slici,pokazuju svaka po 50% izgleda jedne forme (prednja i zadnja strana).Tako su one zajedno jedan vid prikazane skulpture na slici.

************poput Military art

*************kao u Konkretnoj umjetnosti

(Ovaj tekst nije završen i nalazi se u fazi promijena.)

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1.*Inspiracija za prvu sliku iz ciklusa Concrete art  :Expansion of  success ( http://fineartamerica.com/featured/expansion-of-success-ekrem-fetic.html ) je bila skulptura Donalda Judda – Utitled 1969 ( http://fineartamerica.com/featured/donald-judd-ekrem-fetic.html )

Skulptura u slici je u skladu sa mišljenjem Maršala Meklauna,da svaki medij sadrži drugi medij,onaj koji mu prethodi:roman u filmu,film u televiziji,televizija u internetu itd.Istina ovdje imamo nešto drugaćiju situaciju .Ne jedan medijum obuhvaćen drugim,nego rodove  jedan u drugom.U okviru istog medija Likovne umjetnosti.

2*U Traktu o slikarstvu Leonardo da Vinći kaže:”Slikarstvo ima pet dijelova:površina,oblik,boja , svjetlost i sjenka.I da govoriti o njemu znaći pričat o sjenkama,odnosno o ‘reljefu’ kao njegovoj biti i duši.”

Ideja kao zajednička nit – idea as a common thread

Temeljna spona odnosno zajednička nit između suvremene umjetnosti i nauke jeste ideja.Ideja kao polazna osnova,koja ishodište nalazi u imaginaciji kreativnog duha.Razlika između ideje naučnog karaktera i ideje iz sfere umjetnosti jeste u tome ,što je  naučna ideja  praktična po svojoj svrsi*.I razlog njenog postojanja nalazi se u namijeri da ona bude korisna društvu, u najširem smislu tog pojma .Dok je umijetnička ideja ,prije svega kulturološka činjenica ikonološkog karaktera.Koja može a i nemora biti relevantna za društvenu zajednicu kao takvu.Lapurlatizam je najbolja ilustracija pomenutog stava .Zato što je suvremena umjetnost koja je bazirana na ideji, kreacija elite koja stvara usmijerena ka eliti koja konzumira umijetničke vrijednosti.

Kroz konceptualni projekat Survive-Preživiti i njegove produkte Bošnjačko pismo i Simbol zid,naučni tj. praktični aspekt ideje kao i umjetnički aspekt se nalaze u simbiozi i postaju kulturološko populistička činjenica prvog reda.

ekrem fetic

*u ovom slućaju svaka ideja koja ima praktićnu vrijednost jeste ideja naućnog karaktera.

Fundamental bond that is a common thread between contemporary art and science is idea.Idea as a starting point, which is the starting point of the creative imagination spirit.Diferent between the idea of a scientific nature and ideas in the field of art is in the fact that the scientific idea practical for their purpose*.I reason for its existence is in intent it to be useful society in the broadest sense of the term. artist While the idea, especially the cultural fact ideological character.Which may or may not be relevant to the community as such.Larpurlatism the best illustration of the previous paragraph. because contemporary art that is based on the idea, a creation that creates directed elite to elite consuming artist value.

Through the conceptual project Survive survive-and its products Bosniak letter and symbol wall, ie, the practical aspect of scientific ideas and artistic aspect found in symbiosis and become a cultural populist facts first order.

ekrem fetic

*In this case, every idea that has practical value is the idea of a scientific nature.

Manifesto practical art -Manifest praktične umjetnosti

 Umijetnicki projekat Bošnjačko pismo je politički angažovana umijetnost.
Svaka umijetnost koja pretenduje da bude korisna ,mora biti faktor društvenih promijena.
Dužnost umijetnika jeste u tome, da postane koristan zajednici u kojoj živi i dijeluje.
Zadatak umijetnosti treba da bude razvoj društvenih odnosa, u sferi interpersonalnih komunikacija.
Svrha umijetnosti mora da se nalazi, u ispunjenju društvenih vrijednosti zadatih ideala.
Šta vrijedi tajanstveni osmijeh Mona Lize ,u odnosu na grandioznu simboliku Gernike?
Ništa!
Samo jedno slovo Bošnjačkog pisma ima veću korist za Bošnjake ,od svih dijela Renesanse.Umijetnost salona i Umijetnost životaUmijetnost salona je mrtva umijetnost,neućinkovita i kratkog dometa.Ona uglavnom nikome nije potrebna,osim njenom autoru.Kada kažem umijetnost salona .Onda mislim na onu umijetnost koja postoji samo zbog konteksta .Kontekst joj je jedini cilj,a izvan toga je prazna bez sadržaja .Tu vidim i umijetnost akademizma .Ona osim golemog nasljeđa klasicističkih postulata estetike ne nudi više ništa.*Umijetnost života je: dinamićna umijetnost ,provokativna ,dalekometna ,inspirativna i snažna. Izaziva stanje latentnog šoka i tako doprinosi osviješćenju i spoznaji naše stvarnosti. Koja podstice na promjenu reda stvari.Ona mijenja historiju i pomijera granice ljudskih mogučnosti.U tu umijetnost spada projekat Bosnjačko pismo.
Pod Umijetnošću života podrazumijevam umijetnost koja utijeće svojim dijelovanjem na sudbinu ljudi.Ona im mijenja život i određuje drugaćiji tok.
Umijetnost života definiše nove kodove i otvara razlicite pravce ,u komplikovanom konglomeratu složene šeme ljudskog bitisanja.ekrem fetic

*to naravno ne znaci da umijetnik ne treba da izlaze svoje radove u galerijama.Nego samo hocu da kazem, da je takva umijetnost suvise odvojena od stvarnosti.Toliko je ponekad izdvojena, da je postala sama sebi svrhom.Umijetnik se mora okrenut zivotu.I problemima sa kojima se suocava drustvo u cijelini.

Art project Bosniak letter is political commitments art.
Any art that aspires to be useful, it must be a factor of social changes.
The duty of artists is that it becomes a useful community in which they live and to effect.
The task of art should be the development of social relations in the sphere of interpersonal communication.
The purpose of art must be located in meeting the social values of given ideals.
What is worth a mysterious smile of Mona Lisa, in relation to the grandiose symbolism Gernika?

Nothing!
Only one letter of Bosniak letter has a greater benefit to the Bosnians, all part of the Renaissance.The art of salon and The art of livingThe Art of the salon is dead art, inefficient and short .Art generally do not need anyone except its author.When I say art salon. Then I think the one art that exists only because of the context. The context of her only goal, and beyond that is empty with no content. You see the art and academic. Except she postulates a vast legacy of classicist aesthetics does not offer anything more.*

The Art of the living is dynamic art, provocative, long range, inspiring and strong. Provocate state of latent juice and thus contributes to our knowledge and to bring to consciousnes of our reality. Which moves to change the order of things.Art changing history and moves the boundaries of human posibility.In The art of living there is one project Bosniak letter.The art of living is a dynamic arts, provocative, long range, inspiring and powerful. Causes a latent state of shock and thus contributes waken and knowledge of our reality. Which encourages a change order things.The art changing history and moves the boundaries of human posibility .In this art project is one Bosniak letter.
By art I mean art that life effect their fate on practically people.The art their life-changing and sets a different course.
The art of living defines new codes and opens the lines otherwise, in a complicated conglomerate complex scheme of human existence.*It does not mean that the artist does not need to present their works in gallerys.I just want to say that such art is too separated from reality.So is sometimes singled out, it became itself purpose.Artist to be facing problems in the life.And facing society as a whole.

ekrem fetic

Figustract or unity of figuration and abstraction in painting

Bosnia is European country .She is to continue 1000 years.We had many victims during the war in Bosnia (1992-1995) and it also destrojed a great number of homes and industrial and much of our cultural and historical heritage.In 1995 I got the inspiration for my paintings.That year (and during the whole war) I saw hundreds of soldiers dressed in masked uniformes,walking on the street of Zenica city.The image of those uniforms struck me deeply.Thinking in the context of art I realized that it was an ideal picture.On the one hand it’s like the ready made ,and on the other ,unity of Figuration and Abstraction;ontology’s dualism of Representative and ontology’s homogeneous Presentative of picture.   As the French aestheticer  Etienne Souriou said long ago, in signs we have picture of the picture which is the presentation of itself.It’s clear that the picture of masked uniformes make that figuration ,and its contens or different plans makes the abstraction of the picture.Of course such a picture inspires definite philosophical reveires and dilemmas.This is because it is a picture that contains and pacifies two up to now uneasy opposites of contemporary art:figurative and abstract,or Aristotelean and Platonic.By purchasing this picture You come into possession of this long course of contemporary art.This aesthetic object sublimates itself with its own being.Pictures are made in two cyclus:A cyclus and B cyclus.A cyclus are projected on method of Juan Gris in order that is oval form to make bottle.While B cyclus to follow way of Paul Cezanne in order that is of bottle to make oval form…

ekrem fetic

Past exhibition:

1.Los Angeles Center For Digital Art 107 Fifth Street Los Angeles California 90013.Second annual Snap to Grid,The UN-Juried Show Septembre 8-October 1,2005 year.

2.Project:l5-din-a4,Malaga Spain. From 12 January till 26 January 2006.

3.Los Angeles Center For Digital Art Winners Show “Top 40” 2006 year. Martch 9,7-9 pm.

4.Florean Museul,Po box1,of.Postal 9430 510 Baia Mare Maramures Romania I’ve lost Lilly’s picturess.Mail Art Exhibition 2006.From 27th May till 15th June 2006 year.

5.International Painting’s Exhibit M.I.A.D. Venado Tuerto 2006 -Santa Fe- Argentina From 5th to 31th July 2006 year.

Artist’s links :                                                                                 http://www.absolutearts.com/portfolios/a/artefetic,   http://www.art.net, http://www.artweblinks.com, http://artmajeur.com/ekremfetic,  http://www.artmine.com, http://www.worldfineart.com , http://www.net.art.it, http://www.ourosborosgallery.com, http://www.artbabyart.org, http://www.agora-gallery.com ,http://www.worldartdirecrory.com, http://www.artanddesignonline.com, http://www.world-arts-resources.com, http://www.bosnianart.net, http://www.artnews.info /artist.php?i=1235, http://www.l5-din-a4.org, http://www.l5-din-a4.org/expose.html, http://www.l4-din-a4.org/dina4lst.html, http://www.artefetic.co.ba, http://www.artefetic.mosaicglobe.com, http://www.artistsites.org/ekremfetic/, http://www.saatchy-gallery.co.uk/yourgallery/, http://www.artefetic.blogspot.com,http://bosniaksletters.blogspot.com,http://fineartamerica.com/profiles/ekrem-fetic.html, http://saatchi-gallery.co.uk/crits/index.php?showpic=7782, http://saatchi-gallery.co.uk/index.php?showpic=3164, http://saatchi-gallery.co.uk/crits/index.php?showpic=7780, http://saatchi-gallery.co.uk/crits/index.php?showpic=7779, http://saatchi-gallery.co.uk/crits/index/.php?=40966,http://saatchi-gallery.co.uk/crits/index.php?showpic=7778,htpp://saatchi-gallery.co.uk/crits/index.php?showpic=45169, http://bosniakalphabet.blog.com, http://bosniakabc.blog.ba  ,   http://www.saatchionline.com/ekremfetić

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